Bruce Sterling’s reboot 11 closing talk, via speech recognition

I’ve run the Bruce Ster­ling’ reboot 11 clos­ing talk, through replay, that uses sphinx4 speech recog­ni­tion engine, see below what Bruce said, more or less… (I hope the lines are in order, the pro­cess was mul­ti­th­readed, I sor­ted them by thread number)

Try to sim­ul­tan­eously watch the video while try­ing to under­stand why you get funny things like:

  • atem­por­al­ity = and the tim­ber rally, and a tem­per relative
  • flickr’s = slickers
  • eleven reboots = a lam­inar a bid its
  • num­ber one, the bed = num­ber one up dead, etc.

Also, here are the miss­ing slides, as Bruce had none, they are a good reminder of the main ideas:

[tran­script follows]

we’re ready for that removed those things that said
ah this year or a teacher in a prison blues very honored and very pleased with it
came on the way here to share ah it’s both about action and that what a group of people like us to do
so bruce dilated
i e e t
so i face rather debtor
arth­ritis it thoma­son is nor­dic dick­son action and i’d say that now hav­ing been here two days that’s about when i
specter and and i was very grat­i­fy­ing
a case i i did that allot two days that night on the last speech in a bed of this kind to pos­sibly be
to shore bob there will be no graph­ics not doesn’t your indyk graphic
so i would like to do like i do all four ah so the graphic health stud­ies and the tim­ber rally
is like some graph­ics they did earlier you’re like a graph­ics guys you gotta have graph­ics dur­ing a speech
the guy might flick­ers said stud­ies and a tem­per rel­at­ive i really need some help
but this flick­ers that i know you’re not pay­ing atten­tion by graph­ics any­way
you’re a bright people eas­ily dis­trac­ted go on to brist­ling slick­ers that like
first that is an attempt rel­at­ive you can help me out there on a cave sel­lout got a lot
straight about a year that well you know a really matches up to its billing that’s a red dog
what’s not so great about a year event obvi­ously you had eleven rebounds
a lam­inar a bid its people when they have a stable flight tun­nel sys­tem
i don’t think a guy gal line in your life­time
i i like remem­ber that grand nar­rat­ive by grand nar­rat­ive like we had last year and i like that big break
through inter­pret­ive grand nar­rat­ive well i got another grand air
we like rebut it the other nar­rat­ive about another paradigm but even more to sta­bil­ize say­ing
and suf­fer said that last year as paradigm of
that’s prob­lem­atic action not words okay i’m a nov­el­ist you know a bunch of words that is a very
tire­some action issue for being
actu­ally had to deliver a bunch of words like to know a thou­sand are out and helps it that makes some sense
graf future nar­rat­ives i do a lot of that i gave you want on not just bin­ary but i’m a good entire dec­ade decide
to to do to china stretch out a little about tell you what next dec­ade
looks and feels like a house or cul­ture or the first lap to tell your story has annoyed you guys are obsol­ete big and if some stor­ies about
my pro­fes­sion sum­mit tell you an anec­dote about fi out
after i had a this guy and to read off to to design for fidel
so i said that’s a van­ity to decipher fi i was there and he was explain­ing that design philo­sophy of the yacht
i demand out of freon is actu­ally doing pretty well lately they basic­ally rack
turin monday went broke that that was twenty years ago and now they’ve like come up with a bet­ter design ski­ing
now what’s it about well it’s about duffy yacht five hun­dred which is it all began for fear audits is like cute little calmer and
kind of a lot that if people would your gen­er­a­tion and really kind of cell and like hot cakes
and f. b. i. made so much money off it as they tried to buy gen­eral motors europe it
quite make it before the bank­ruptcy but they didn’t buy chrysler
so you know the outs made enough money off of a car that i like mov­ing into detroit which is like the amer­ican tour­ette
sev­eral hun­dred times worse off so i are are are friendly out just a design from mom
from from the yacht was address­ing an audi­ence about this size
and he was explain­ing why this car was such a hit and well in all its fifty years all
and that’s why it’s so con­tem­por­ary edson alton there will be up
mitts askew amorph­ous just the same pic­ture of the old pian­ist us
china put back into out novel but not exactly futur­istic but at least best­selling
our pack­age it so power­fully well designed very pop­u­lar
con­tem­por­ary car bridges over now and also fifty years all
so i was here a jury has about this so i asked him a noise that out by i. after the pub­lic is like
but take him at the fee out five hun­dred is a big suc­cess for you know as i can even big­ger suc­cess and the ori­ginal b. i. five hun­dred
where do you plan to go from here are the most the future of the yacht five hun­dred are you going to release
the next car that came after the few got five hun­dred his­tor­ic­ally
because there was a car that came back to the fee out five hun­dred and pre­sum­ably it was an improve­ment
there were the fiato five hun­dred great defender of live this old are you going to revive the next car that came after that
are you said now don’t get a busi­ness was unim­port­ant issue when they spot a lot of time think­ing about that
a what they were doing was they had intro­duced a fee on five hun­dred
and they were watch­ing the demo­graphic groups who had picked up on the yacht five hun­dred and they were look­ing at post con­sumer alter­a­tion
but duffy yacht five hun­dred of them they were going to pro­fes­sion­al­ize that
make another words are like young soc­cer hoo­ligan tough guys who said that toughed out there for ya five hun­dred
spe­cial hub­caps and so forth racing stripes to their going to do that
and i was like the women’s group are like us to out­line a cousin was today we’re doing that cuter ver­sion and the sen­ate now
anim­ate dangling tolls on the rear view mir­ror and you know maybe some hot plate for allies
i think that they were track­ing down and there can adopt out to a mother wears irvine and moonves yeah five hun­dred into emer­gent
demo­cratic groups this was the way for work
they were look­ing for a mer­chant con­sumer groups and they were going to move the car into their social space
year by year
i i this is a really clever idea and i thought
i’m in a soci­ety it’s going to do a lot of this and i thought this really is a ter­rible and scary paradigm
but the future because it’s very dif­fi­cult for us to con­strue that kind of activ­ity
as pro­gress everybody’d for two hun­dred years
almost as the twelve hun­dreds of now and what pro­gress means that no enemies to be pro­gress­ive and they know what it means to
the futur­istic you get more sci­entific know­ledge
you cre­ate more tools to make more jobs you mas­ter in nature you get more power
schief­fer our new struggle for a bet­ter life for your chil­dren
you’re look­ing for health prosper­ity mater­ial secur­ity shel­ter
big­ger faster stronger or no and more every­body knows that’s pro­gress that’s not
what we’re gonna get the actual object­ive situ­ation looks more like this
no money scarcity fin­an­cial col­lapse col­lapse states
gen­eral for character’s and energy prices low intens­ity global war­fare and are rap­idly advan­cing cli­mate
crisis
that’s the that’s the situ­ation on the ground now and people ask where did the future does or the sub­urbs
glam­or­ous ver­sions of the future why we loved it were delib­er­ately choos­ing a move away from that and and to a non twen­ti­eth cen­tury
spence mur­mured in a situ­ation with gen­er­a­tion x. er is and power
in a depres­sion and a depres­sion where people are afraid of it this time
but the next dec­ade actu­ally looks like
and you’re gonna live there it’s not decide john sac­char­ine is a design credit and detract­ors
yeah i declared a pub­lic that the future of the word future as an old car­rot top
and a word future will soon get a lot of use
i’m inclined to agree with that guy actu­ally i’m not sure that the word future gaz­ette of years
and obvi­ously we have some kind of abso­lute future i mean we’re not going to go
back to the year nine­teen fifty the clock is tick­ing the pages i got a fol­low up the cal­en­dar
now in a dec­ade it’s been a b. twenty nine team will be ten years older you be tenders all of these are all solid things that’s more like
cometh as the future a struc­ture of the future or a belief in the future
this is not the same minutes as not being attacked from the same area at all it’s being attacked from a dif­fer­ent kind of area
ah i know it’s i call a tem­per rel­at­ive and i’m still wor­kin’ on this
and on not quite pre­pared to do a big pitch on the temple releg­ate
wade gibson’s big fan of that says we’re at a book right now called sear our his­tory
then i had had a molly gover a tem­per releg­ate that is gonna take us a while to work on the s. b. a. type or alley
you wanted a bumper sticker it’s like stain con­gress meta­phys­ics
and that’s a very author leaf­ing to do as other like a super kind of cul­ture crit­ics say­ing
in a few on a help me you’re like a the­ory jaya lit­er­ary giant parade nadel
cindy mail that’s now and i talked about here on my watch like about the next dec­ade and some of what comes after year event
u. s. can i feel like to live to the next ten years i had this not feel like pro­gress
how­ever it does not feel like con­ser­vat­ives and you are
as nina pro­gress in our con­ser­vat­ism is a set of not noth­ing left to con­serve
and no dir­ec­tion in which to pro­gress so what you did as trans­ition
trans­ition to nowhere as they were khaled in the east­ern bloc trans­ition of nowhere var­ied
com­mon exper­i­ence at east­ern european states no big boom bubbles we might have wanted on expects to them
at the time i had our fill of those bad weather really a given
bad weather hap­pen­ing much faster than we expec­ted until opal emer­gent change
sinatra described a futur­ist quad­rant for the twenty teams
except i i really thought it futur­ists clot and i would not go into a stra­tegic fore­cas­ted quandary because
but such futur­ists call them­selves and are now longer allowed to be futur­ists are leery of stra­tegic fore­casters
there’s like just to teach it fore­cas­ted clot or mirza the divid­ing the future of and a four
interest groups for pos­sible worlds num­ber one o’clock or num­ber line crisis cap­it­al­ism for aging baby boomers
yes a lot of seven next dec­ade
boomers are get­ting all the kind of people that all of their not major act­ors but they’ve got all of us
so then i get a get out of the way but i become more and more incap­able incent­ive more and more
attached to crotchety fantasy is that more more detached from an abil­ity to get you think your hair and dawn
so it out crisis cap­it­al­ism for­aging for baby boomers
but a major­ity out­law islet num­ber two breaks the b. r. i c. a per­sonal rat­cheted china
the writer rus­sia out of their two don’t like royal brazil india china
there are mer­ging states emer­ging to know where devel­op­ing coun­tries devel­op­ing in our dir­ec­tion in par­tic­u­lar
soften up other people’s tech­no­logy they’re glob­al­ize say­ing they’re not pro­gress­ing and i developed and they’re just
glob­al­ize and shot at the old fun­da­ment­al­ists are and i quarter
kristin find islamic fund is determ­ined how are they never do any­thing not in hap­pens
i have no policy by pre­vent­ing ben­nett change the struc­ture of soci­ety in any way except that
bruin whatever is left to the eco­nomy and and polit­ics
so they’re not really a trance form­at­ive force they all except except for ruined
so i are nev­er­mind though isn’t and bel­fast major­ity they seem and racism those two quad grants
all the rich were all emer­ging semite for world thought i’d rather kraatz of dir­ect­ors just yet
some of the area where you guys are gonna be work­ing for the rich and power
what’s it look like reit­er­ated power­gen x. ers actu­ally run and friends
so we’re not on what is the cul­tural tem­pera­ment of this par­al­lel here now
and i guess got a good two words sum­mer a dark euphoria
our euphoria is what the twenty teams feels life
things are just a fall­ing apart you can believe the pos­sib­il­it­ies but any­thing is pos­sible but you never real­ized or in half that
to read it so much that slide i kind of
the lead and the and now on record as a fall­ing
toward earth that at nine hun­dred kilo­met­ers an hour and then you real­ize there’s like no words there
that’s a dark euphoria feel­ing that at some of the cul­tural tem­pera­mental but of the com­ing dec­ade
anna comes into fla­vors top and then lay­away
and every­body in this or anes­thet­ist dis­solved between top and aglow and besides the nature of your par­tic­u­lar demo­graphic
the top then writ­ten described as gothic high tech
and explain to you and god i tried to act as a lot
i got a i checked or steve jobs and you don’t and i saw aver­ages a bril­liant tech­nical innov­a­tion
but you’re also had a son adop­ted ten­nessee get a liver trans­plant because you’re dying of some­thing
secret and hor­rible
and you’re a cap­tain of amer­ican industry
you out­line that also and gen­eral motors kind of guy on the con­trary your days really china light
gob of hands on the steer­ing wheel of a func­tional car
but you know you’re still got that high tax because you know daft is wait­ing
i know not a set of kindly daffy they’re bet­ter really kind of sin­is­ter trees being tain­ted
wells of sil­icon val­ley a kind of super fine man
say­ing that steel’s upon humans by bach that you have the hyatt
from the pub­lic from the block­ers and from the share­hold­ers and just kind of grit your teeth then
pull out the next one a relic story related very toxic
billy sunday that a lot and have any teeth cen­tury hor­ror novel
china no man in the castle fig­ure or affirm a polit­ical aspect
the ulti­mate docket high tech future nico loss orcas in your ini­tial s. are busy a year
really yeah and your poly­tech­nic you have to know eti­ology
yeah really care about any par­tic­u­lar lot polit­ical line you have no altern­at­ive
you saw dole the air of a polit­ical room this is all about you know
bill i can see the whole altern­at­ive you have is like danny the red cone bundy what this worked out sixty day juror
guy and this very little you can do about sarge is it because there’s really no way did it
aidid and i mean if you debated it just make it stronger if you ignore it is simply steals your clothes
so the only thing you can do is wait and hope that he changes his mind
and he well because he would cheer­fully cam­paign against him­self
he will receive blue bell incid­ent six months or eight months is like a lead­ing like my gang­ster
liebling sar­gis eva how about my top and lit­er­ary giants arches you didn’t life wife num­ber one by num­ber two about
the new entries like a cool folk singer
you know and by oracle bomb issac gothic i take a year i know in all but europeans are totally enam­ored of this guy i don’t
one year for that is is a kind of machine politi­cian all right
it is not free to buy slob hobble yeah
he’s an eth­nic­ally inde­term­in­ate com­munity organ­ize or without massive fund rais­ing
digital mushy urine amer­ica needed email from a bomb at slightly love to give you
european style health care please send us a whole lot of cash
let’s let it slide
i mean they have their gothic mamas meet bart’s about hope that there is about hope that the decently
remove from the situ­ation all hope is done sock from the room to sail vomit trips over a skate­board breaks is next
where’s o. k.
you see any other sources of that
the sci­ent­ists their friends their france crash the brazilian air­liner crashes
sorry to see comes out gets on tele­vi­sion while
’cause i was an oppor­tun­ity to be on tele­vi­sion
elysees sayed said i told them the truth
i did tell them the truth and it was a very gothic true
and they blew up in midair and every­body die eli­jah can see the guy rehears­ing his abil­ity to
con­vey­ing news of this kind year after year
after year is going to be really good out out these are not the high tech fig­ures that
people who posi­tioned them­selves in the nar­rat­ive rather than build­ing a new per­man­ent infra­struc­ture
that’s achieved and telling each other to do all day that’s why you love these guys
they’re pos­i­tion­ing them­selves in the nar­rat­ive rather than build­ing in a per­man­ent infra­struc­ture
their cheer­lead­ers they’re not all there is
the cheer­lead­ers and if the mar­in­ate it hap­pen nar­rat­ive have to be poverty floods here crashes
drug addic­tion infi­del­ity one ever are going to be good day gal
i was like death and so did j. next tem­pera­ment really been wired genet­ics golf’s
where they tossed around in a way to please the next
but i may like to dress up like dead people that’s their tem­pera­ment
i mean when you’re a young gawky dress up like a dead per­son because that’s some­thing grown ups though i am
but if you’re an adult jem exner and you’re dressed up as a gough it’s like it
don’t blame me because i’m already dead
i’m not mor­ally respons­ible and not a polit­ical actor it’s not my fault long­time of a ham
higher note donna they blame me i voted for belied
no one ever gets gothic at what is the down so i think that’s the other side and
sud­den­ness of the flip side of god to tie tack the flip side i got to cut taxes down mar­ket
and it’s called of a less sheikh for fail as she can
what is of a alicia’s for bayliss sheik is when you have lost everything mater­ial
everything you build it everything you had that you’re still wired to dig hills
and really begun to base­ball
that’s what they allege she had lost everything you have no money you have no career yet no health insur­ance
not even sure where you really have to have chil­dren and have no steady rela­tion­ship for a new set of depend­able friends and it’s hot
that’s a really cool all places to be it
my space as a folk bail­out never been a brazilian of a lot of basic­ally polit­ic­ally
rep­res­ents the struc­ture of mize that you got this remote to stand
brazil’s school brazilian tyr­ant in the demo­cratic
we get local taste no atten­tion to use sup­posedly owns the whole show but the whole ship banner’s going south and a hurry
it’s been out com­peted by some other eco­nomy this time and not been hap­pen­ing there
yet no civil rights and my space to go any­where my space can organ­ize and my space
you can make money in my space you can have a hot and my space
and you live in a hide until they’ve pulled the pla that’s a thought they allow its made a very strong doubles
of avail as an emer­gent struc­ture it’s made out of cor­rug­ated tin and then briese blah
so every slo­gan you have here prac­tic­ally every slo­gan
that’s per­fectly enough of a lot action is cheaper than con­trol
that’s up from bayliss slowed its cheaper to just build a high then move into ad that has to like try and lights in the util­ity of
or did stan­doff just fight­ing duet
that’s a firm bayliss slowed and sell fix it up the phone veil a slo­gan always invade at
of course if avail as always and i don’t
you can insure and i can get title to it you can’t raise kids and i
ms now and specks of the water they needed elec­tri­city that’s a slob
you don’t take your­self with play labor but polit­ic­ally it’s a slob
that’s a skull well at risk well at as a brazilian high rise with a bill to internal struc­ture
but they never man­aged to put any util­it­ies or a wall on it
and if i see through build­ing that’s pretty easy to just throw off eck­ard arisen and on the cement park
and i some­how maready the stor­ies high as forty stor­ies high that does hap­pen though no scanned
and people squat ago and there with the breeze blacks in a cor­rug­ated
and i’m there and i highrise avail­able this will lead or a stuffed animal
which is the european equi­val­ent very big on stuffed anim­als here this build­ing is a stock and
it’s not a place where people like over­turned soci­ety and throw it on a
sear this is like some kind of smokestack industry and some­body was in here like makin’ big stuff
barney coli in old red deer or whatever the building’s been re pur­pose
as like an extinct dam like giant owada a european or rocks
and i still got the height and the hose in the big glass eyes and you come in here and use that on your stack of all
european designer chairs which van­ished without a trace us and as you leave the build­ing
this is a stuffed animal that’s not an acci­dent that you live in stuffed anim­als that you needed stopped him
it’s this is what the next ten years of your life would slide
you like stuffed anim­als stuffed anim­als of icarus of your gen­er­a­tion but they’re also your fron­tier
it’s the place rather like not pay and atten­tion
like a civ­il­ized glop you get a lot done in a stuffed animal there isn’t any other place the gal­ley and you’re wrong
there’s any other place to go on the planet the unsus­tain­able as the only fron­tier you have
the wreck­age of the unsus­tain­able that’s your her­it­age and harry out
if dalton there were there in an all news struc­ture it’s a steam powered appro­pri­ation
there’s your stay­ing the chim­ney out there it’s in our urban inter­ven­tion
a sur­prise to not plan­ning to nato gar­dens here i don’t know why you want a black tomato gar­dens
if you never actu­ally been garden­ers and their lives even know that this is hard dirty patient work
urban aquacul­ture not for you know
cell­phone soften up her writ­ings led by con­ser­vat­ives that’s that’s where your line of work
so on and i want to give you some prac­tical advice or as i know it’s like
if the mayor of brandon on a nov­el­ist you know i i’m occa­sion i do prac­tical things when abso­lutely forced to do what
i i’ve i shaved abide mat­ter webb’s hun­dred hours from now when i i did
you star­ted it and i don’t do it now
tom side i want to give you some good advice prac­tical advice on envir­on­ment­al­ism
and spe­cific­ally he friendly cri­terion envir­on­ment­al­ism
does that’s one of your biggest prob­lems we didn’t do it your­self
no you’re inher­it­ing a hun­dred years of atmo­sphere attrib­utes that that’s not gonna get chapa hawke
and after and suc­cessors to worry about the gal on akio a gen­eral prin­ciple here
and for adopt­ing gen­er­a­tion like yours this is going to be pain­ful for you know and really kind of a cog­nit­ive
all set stop accion did
now you thank that act­ing did as a vir­tue
does a can­did­ate try­ing to behave as if you’re a dad for a life­time and actu­ally appeals are tem­pera­ment as a gen­er­a­tion
and it’s kind of year default pos­i­tion really but to have to stop that
because hair shirt ter­rain which is i know most of the things that you have an erec­tion list their fair share green
just changes the polar­ity of the twen­ti­eth cen­tury as just the oppos­ite of con­sumer calls
to us like satan­ism for com­puter and for con­sumer cul­ture in and all say­ing this or actu­ally chris­ti­ans
it’s not really a dif­fer­ent way to lead
but it’s not going to star in to ful­fill it or not you know if you’re act­ing it well there’s a test with us
that’s the great grand­father prin­ciple
you’re say­ing i’m going to do some day it really mor­ally worth­while goal may be still proud of myself
but does your dad great grand­father do a bet­ter job of it than you know
for instance sav­ing water put a water is indes­truct­ible
first of all you can­not pos­sibly dam­aged water unless you turn in the hydro­gen and oxy­gen and just
spon­tan­eously region by searcher try­ing to save water because you know you’d call to save water alright
you’re dead or a grand­father is sav­ing more water than you know you can­not pos­sibly say it any more water
in a dead guy he’s greener than you know when that regard
sated elec­trical power occa­sion­ally using less power power span­iel or foot
pre­dic­ated grand­father is not using any elec­trical power is much cleaner than you you can­not com­pete with that
jim i think a smal­ler apart­ment here
grandfather’s in a very very small part of its under­ground there’s no light­ing there’s no heat­ing
it doesn’t have any broad band or recyc­ling out
a recyc­ling is use­ful in some ways your grandfather’s lit­er­ally be a recycled
you can actu­ally out recycle your day and a grand­father
and fur­ther­more and a pretty short amount of time com­pared low­lands of the prob­lems are tack­ling didn’t the debt
like your grand­father debbie’s sav­ing every day at that point
then you might be alive sev­enty eighty ninety years you to be dead for hun­dreds of mil­lions of years
mil­lions of years of sav­ing water bil­lions of years of you know hav­ing a light car­bons put prayer
dubs car­bons seaquest ration duffel a car and they bur­ied you
so i need to do things that you can do while alive
i do think he can do while alive but her grandfather’s doing a bet­ter job at it you can
but that aside for later when your dad like kal
you know and explain how it is it you can go about doing this in a really is a dif­fer­ent mater­ial wales
life in any in the twen­ti­eth cen­tury
and it’s it’s set up in the friendly approach to con­sump­tion and it’s about
objects and ser­vices that are espe­cially objects devices and i think your time
ber­man is actu­ally quite close to this and this is an area where i think you can do a lot of good work and ways it your grand­father in
did grant great grand­father could not have time for people if you’re a gen­er­a­tion and then espe­cially for your chil­dren
objects are pro­nounced the really best under­stood his friend al
it’s they’re not treas­ur­ers are not things you want to not digs to stock­pile they’re not mater­ial wealth
they’re basic­ally frozen social rela­tion­ships
and so these chairs are in this film and a doc­tor that and the rest of it
you knew defin­it­ively on not on terms of like oh i have this hand and i must keep my eye and he needed to get these objects in terms of
hours of time employee and sus­pects
i know and i know that sounds very sci­ence fic­tion all but it’s also really good design approach to it
does it ever tak­ing these days oper­at­ing them around all these decisions this mater­ial clat­ter in your envir­on­ment
you’re wash­ing yet you’re stor­ing that you’re see­ing that
i tried to get per­mits inev­it­able detained or cure rate in reli­gion after rhett
is the ses­sions are really embod­ies social rela­tion­ships
they’re all made by people designed by people sold by people pro­mul­gated by people advert­ise but people are whole set of
rela­tion­ships that happened a half some par­tic­u­lar mater­ial form
and it’s not hard to get other ones are new ones now you can argue that you should eco­nom­ize and just by really
she pin­stripe the mater­i­al­ized and not even mater­i­al­istic into ten your­self
but things that are very she were very organic that’s not the way for­ward
you know a eco­nom­iz­ing is not social when you’re eco­nom­ize or star­ted some­body else
pre­l­ate that i don’t give them an a on have any minden has a arnott for uranium and i i didn’t mind
that’s not a social flow or sharyl it or you can
a soci­able rela­tion­ship but you need to do is reas­sessed the objects in your space in time can­not explain to you
how that dudas decay­ing of objects the mon­arch
come on objects are not fancy objects are not high takeout digs in on organic out­takes in a bio­lo­gical objects
there every day optics things that sir we have every day would ever is in your time mat­tox
but stak­ing out most of your time or in your space in the house
the stock that’s closest to your stand on your stand­ing inside your skin and intim­ate area us
space and time that’s what’s going on that’s where it’s that that’s where it’s hap­pen­ing
com­mon every­day objects you need to have the best pos­sible com­mon every­day objects
num­ber one up dead
just ban­ning a thirty year life in that that you never take it ser­i­ously
rich people have great beds you she got to live the best that you can
does that how money is no object and for our rental bassist bed super import­ant
the sheets the pil­lows pretty high up there tell stand up and you get every morn­ing when you wake
yep he will sign before us now i i not only did like
resus­cit­ated doing it i know why why are my binder pant­suit that it’s as bad for me i i i be taken out­side of my com­fort zone
goulet i am
did you read the wed­ding china to read about him that i don’t know about tuxedos and they’d exer­cise that
brummet you’re never used the things you never touch the heats of thing but aides mater­ial objects in your closet
they got help you and your stor­age locker
settled them all by abed did a real dead didn’t she
i should not to tell people who work with com­puters to get its share night rather wide about their risk blow­ing out this binds blow­ing out
they would come up with a chair that would cost them maybe fifty cents an hour
over the first known now more times the ball period the world is full of beau­ti­fully designed ergo­nomic
shares get a real dam­age there
sala­man­der chairs the fin­ance its shares to cash that was the day the grand­moth­ers jury can help get rid of your grandmother’s share
it is never prop­erly built to begin with there and at that
their red and then if you don’t use that if you haven’t touched it may year gen­er­ated that it be
soule at my a real things you really yale’s iden­tity hav­ing a lot fewer things but
the actual qual­ity of your life will skyrocket if you have a real shoes
real under­wear women if you use inex­or­able cos­met­ics
instead of inno shoplift­ing cheap cos­met­ics pro­du­cer deeply con­flic­ted about you know you’re in pulses
go ahead it’s on your lips it’s on your eye lids get real cos­met­ics
and unex­plained yeah how you do this ’cause it’s really kind of a hard karma i’d done it like
three times and off air and pur­sued by plots know things accu­mu­lated
peri­od­ical a half to scrape the barnacles off but it’s doable midst of all and it’s very hacker away
first you need a line to make us pack­ers love less char
that will chart which arnette that makes it a hap­pier for vari­et­ies of items
beau­ti­ful fam­ous emo­tion­ally import­ant friends
tools devices and appli­ances that effi­ciently per­formed some use­ful and sharon
and cat­egor­ies for everything else
let me repeat these four things num­ber one beau­ti­ful fans num­ber two things that have some emo­tional mean­ing for you
num­ber three year to all devices and appli­ances num­ber for every occa­sion alps
how do you know if the blinds a cat­egory num­ber one beau­ti­ful things will you know beau­ti­ful things are very import­ant
is it so beau­ti­ful that you’re going to show it to your friends
is it on this planet are you going to share its views even people in your imme­di­ate area why the hus­band year
drink­ing bud­dies or paulsen the techno d. j. from down­stairs i know whatever
is it so beau­ti­ful leger driven to exhibit it to show it off and i share with oth­ers it’s not that beau­ti­ful
it’s not a whole guy now
take its pic­ture make sure you get the barge had it for some reason you want it back
just fer­til­ize it but it uni­som derive it does not belong in your imme­di­ate vicin­ity
you weren’t born with then denied it died with that scouted out
num­ber two another somali import­ant a k. we’re all the slaves of our options
unity and it added i asked her lines as i said like ah i like ah annot­ated like i like my style
ammer­man the things they’re basic­ally enslave the day but not this man then i do but lebed belittled pan­caked turner
how do you know that’s a mostly import­ant
i didn’t tell any­body else about it this is your grandfather’s watch
son you are that’s no and i’ve worn it
so and how it should be for your child well mater was he carry this in bat­tling the fire for free­dom of his blood stains on the spot
does that hap­pen there any of this is some­thing you want to tell other people about it or you actu­ally that slide
is it just emo­tion­ally black­mail and it is is is that hav­ing it around
if you can’t tell any­body about it this now asso­ci­ated story has no pos­sible emo­tional mean­ing for any­body else to do
and i really mean any­thing to you know they’re in effect don’t ever miss
take its pic­ture first satel­lite everything about it you might want to write down the little story the way it made you feel
zar­ate did another one but it’s our don­nie day
this is den­nis cen­ten­arian pla­cate you can have that it’s not high gragg grand­fathered can do that got no week­day
can it out here vicin­ity
stop test­ing and i’ll stop being a mas­cot pena is to hang
and then there’s rituals right but and i don’t think noth­ing about get­ting rid of the state
they have no real mean­ing for you are gain­ing time and light and space and health
by remov­ing these objects from here vicin­ity their social rela­tion­ships imposed on you by other people they’re power­ful forces that but
there is there for you to also obtain high tech­nical stand­ards
i don’t have to preach to you about this these very demand­ing at
these tools do not make it to you with broken stop it enemy not the hair shirt dreams is that i tonic like that
you get some­thing a little bits plen­ary but some doubt tape on it and i was right
you’re not make do with broken stop gap that there’s noth­ing har­mon
sur­real­istic been doing the same job five times the can­cer tools are inferior
should i stand with just be try­ing to reward best prac­tices for people go out and buy a real stop stop at func­tions
they’re know­ledge­able people in this area how­ever you have to look out for time sight­ing
they are rol­lout trap
because that’s the dark side of your jewel fix­a­tion but he really exper­i­ment­ing with a stop
it’ll we’ll find out what it’s nice that they got bet­ter get out of might be used was sort of
he out­lined got its sis­ters and aunts broth­ers and an hour to meas­ure against mark now on and must be at my home
but ted i you really exper­i­ment­ing on a another really exper­i­menter
they’re work­ing on a nevada glee and you’re pub­lish­ing their res­ults
it’s not an exper­i­ment it you don’t pub­lish the res­ults that some veri­fi­able and also liable for her tank
i just needed and i was mine mine mine the shiny
check the wage act all i do know i had a light haven’t been my under­wear drawl are there not tell another key
well but you’re not exper­i­ment­ing with that you’re insu­lated by the the
but down the shiny gad­get gil­ligan the shiny mir­ror guer­illa exper­i­ment­ing at the shar­ing that know­ledge is
we’re not there the brave the bridge tal­en­ted people sharon
a first aiello
and everything else cat­egory for everything else vir­tual life that store the date after another
times’s stop how does that in any detail
unity cry and hot air to reserve at this one num­ber for colossal cat­egory prob­ably eighty per­cent
of whatever is in your imme­di­ate vicin­ity then arrive like barnacles
no this is a hard dis­cip­line that’s a hard thing to do really hard
this not the sen­ate than you do on and also to leave attack con­fer­ence it’s a sort of thing you do when a spouse dies
the sen­ate than you do when you move to another said the sum­mit then you do when a child is
warner is viol­ated sir how such as other thing you do after divorce
yeah but to come on and and you can really leave and that way ’cause it’s tough
it’s not a thing to do on ambles out on urges do it right now i urge you to think about it
the dish i got on kel­logg which i got mor­ally pre­pare your­self for this mad­man
as it’s gonna call it comes in everybody’s lives in a com­mon jur­ors prob­ably a lot more often in your lives
in the lives of people whose lives are cut a deal the last hurdle and
if you’re mor­ally pre­pared for a little actu­ally help the less into shock to be like okay i’m mike bar­rette
this is the moment i’d been sup­plied and schem­ing about the cinema or i like that myself of this draw us
you come face to face some more authen­tic ver­sion of myself
as night and i heard you know as all these things that really need them after you go to this par­tic­u­lar dis­cip­line
you will look dif­fer­ent you will act dif­fer­ently if you will become much more what you already are
thank you for your atten­tion to pat